Jan 25—Mar 17, 2019
Candace Hunter
So be it. See to it.
Inspired by the urgency of the handwritten affirmation ‘So be it. See to it’ in one of Octavia Butler’s journals at the Huntington Library, artist Candace Hunter responds with a series of intimate collages set in dialogue with Butler’s fiction. Butler’s speculative fiction of the 1970s through 2000s feels eerily prescient in a contemporary moment wrought by political upheaval, resurgent racism, and the ongoing devastation of climate change. Hunter’s visual storytelling likewise offers portals into other worlds, and our own.
Robert Seydel. Walter Benjamin + Asja Lacis, H3 from the Typologies Group series in ‘A Short History of Portraiture.’ 1994. Photomontage. © 2024 Estate of Robert Seydel.
Photo: Abraham Ravett
ROBERT SEYDEL
A prolific artist and writer, Robert Seydel (1960-2011, born in New York, NY) left behind a multi-layered, highly original body of work marked by both an unrelenting sense of play and an extraordinary and eclectic body of knowledge. Seydel’s ongoing and interrelated series incorporated collage, drawing, photography, narrative and lyric writing, often using various personas and fictional constructs. Beginning in 2000, Seydel created a vast series of works using the alter ego Ruth Greisman, who was inspired by his aunt of the same name, including the “journal pages” collected in A Picture Is Always a Book (Siglio, 2014) and the works Seydel himself selected for Book of Ruth (Siglio, 2011). Other Seydel alter egos and invented personas include S., author of the Songs of S. (Siglio and Ugly Duckling Presse, 2014), Saul Greisman (“scholar of sewage”), Eckstein-Sousa (“sometimes lecturer and a kind of [failed] poet with Proustian leanings”), and R. Welch (a professor developing a theory of “the biochemical construction of Charismatic figures”), among others.